![]() We all love a “you jerks messed with the wrong guy” scenario, but this one’s particular set of skills come from his past as a neo nazi. Oscar retires without following up, so like so many of the Schrader protagonists, Narvel goes over the edge into violence, making us queasy by mixing the appeal of a revenge movie structure with very muddled motives. He asks for help from his case officer Oscar (Esai Morales, NEVER BACK DOWN: NO SURRENDER), who considers him a model ex-offender, but also hasn’t forgotten what his offense was. plausibility.Īt first Narvel tries to do the right thing with this drug dealer situation. I think your response to this one may depend on how much benefit of the doubt you’re willing to give Schrader, and how you weigh the importance of symbolism vs. The most uncomfortable part of the movie, and the part that could be dismissed as a gross male fantasy, is that Maya starts up a relationship with him and only briefly puts it on pause after the revelation of his racist past. (Jared Bankens, “Junkie,” JACK REACHER: NEVER GO BACK). He tries to intervene with Maya’s drug problem and abuse from her drug dealer R.G. And he needs to believe that if a garden can grow back every season then a person can too. It’s partly to show his obsession, but some of it is actually pretty interesting in an “I never would’ve thought of it like that” sort of way. He talks not only about the process, but the history of different kinds of gardens, imbuing different traditions with meaning. After killing for a neo-nazi mentor he turned state’s evidence, went into witness protection, got sober, and dedicated himself to gardening, which he tells us all about in nerdy detail. She wants to see them, she gets off on them, but as far as we can see he is a changed man. ![]() When he first takes his clothes off for Norma we see that his body is covered in Nazi and white supremacist tattoos. Much of the tension and complications here come from Narvel’s secret past, which I had heard as the premise before seeing it, but I’m going to mark this a SPOILER because it might work better as a surprise. When he teaches her to pick up a handful of dirt and smell it, get it on her face, she really does it, and seems to enjoy it. Maya’s not exactly enthusiastic about the job, it seems like she’s being forced into this as a remedial thing, but she’s open-minded and earns her place quickly. It’s not an odd request on its face, but Norma makes it weird – awkwardly referring to Maya’s mixed race, implying judgmental things about her and her mother, then avoiding ever seeing or talking to the grand niece after she’s arrived. (According to Wikipedia, Swindell uses they/he pronouns, but the character doesn’t.) He’s very loyal to his aging heiress boss, Norma Haverhill (Sigourney Weaver, ABDUCTION) – including having sex with her on demand – so he does as she says when she instructs him to take on her troubled grand-niece Maya (Quintessa Swindell, BLACK ADAM) as an apprentice. This time the journal-writing weirdo narrator is Narvel Roth (Joel Edgerton, JANE GOT A GUN), the fastidious horticulturalist in charge of Gracewood Gardens, an estate in Louisiana (filmed at a former plantation). Which is one of the things I love about him. This one is thematically related to those, and Schrader has called the three of them his unintentional “Lonely Man Trilogy,” but the template goes all the way back to TAXI DRIVER and has been loosely repeated over and over again throughout his filmography. An album that literally everyone could appreciate." The record contains a variety of material from the euphoric intensity of "87" to the emotional roller coaster "Finale", and also boasts an insane roster of guest artists including Aaron Marshall of Intervals, Canadian solo guitarist Nick Johnston, Jason Richardson of Chelsea Grin, Jakub Zytecki of Disperse, Nick Sampson of I Am Abomination, and Mario Camarena and Erick Hansel of CHON.MASTER GARDENER is the latest from Paul Schrader, who I consider to be on a late career roll between FIRST REFORMED and THE CARD COUNTER. "Obviously we wanted to write something extremely unique," says guitarist Tim Henson, "but we also wanted it to be accessible in a way that would unite people of different tastes. Upon its initial release last September, the full-length self-titled landed on several Billboard Charts including: No. ![]() Muse was produced by Nick Sampson and is also available streaming in full at. The new and improved release also makes Muse available at physical retail locations for the first time. The album was originally self-released as an independent artist and is now available as a re-mastered, re-packaged release through the label. The Dallas, TX-based instrumental outfit has just re-released their debut full-length, Muse, on Equal Vision Records.
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